It was the agony not the ecstasy that made Murray a champion
He looked almost numb. Later, he said he was shocked, and
his post-final interview on the court of major was in stark contrast to his previous
one, at Wimbledon two months ago. Whereas there he had been unable to hold all
of the emotion in, here he kept it together. Was he still in match mode,
keeping everything under control, or was it that he simply could not believe
that he had the trophy in his hands?
The Olympic summer – the golden summer – has been bookended
by Andy Murray. As a nation moved from pessimism to optimism, so Andy moved
from tears to joy. He wept on Centre Court, but Britain and he have not shed a
despairing tear since then.
For a while, it looked like it was going to be a bit of an
anti-climax. After 76 years of waiting, we suddenly found a British player, in
a men’s singles major final, and he was two sets to the good. Of course, it
hadn’t been easy, but it looked like it wasn’t going to be the most dramatic
finale to an almighty wait. Well, you can always trust a Brit.
Murray duly suffered a Djokovic fightback, the powerful Serb
seemingly unable to do any wrong, It was a reminder that, although the former
world number one has lost his aura this year, he still has all the tools which
put him in touching distance of completing the Grand Slam. Britain’s upper lip
collectively wobbled as Djokovic levelled the match up at 2-2.
We had been here before; not in major finals perhaps, but in
semi-finals and quarter-finals. The endless repetition of “so near and yet so
far” seemed to be continuing. Murray had been here before too: losing from a
position of command against Nadal in the Wimbledon semi last year; losing a
titanic last four match against Djokovic at the Australian in January; being
unable to find that extra gear against Federer on Centre Court in July. The
thing is though, this is a different Andy Murray, even from the one we
commiserated with just a few weeks ago.
Murray has never been a quitter, but now he does more than
valiantly fight to the death. He digs deeper, battles through the pain and the
uncertainty, and finds that extra bit of grit. It could be called the Farah
Factor.
He started the fifth set at a canter and, though he kept us
on our toes by suffering a break, he kept his head above water and suddenly
found himself with 3 championship points. He lost the first, and, on the
second, suddenly saw a huge Djokovic return thunder back across the net. He
couldn’t reach it. It was too fast. It landed beyond both him and the line. There
was a cry of “Out”, followed by the roar of the crowd. The champion still didn’t
dare believe. He did not know whether the ball was definitely out, or whether
Djokovic had challenged or not, and then the fact dawned on him and he sunk to
his knees.
Much has been made of the Olympics being the moment when
Murray changed from the greatest player never to have won a major into the player
to beat. However, when he arrived back at Wimbledon to compete for Team GB he
already was that player. Indeed, he was more consistent in the Olympics than he
was at Flushing Meadows. The moment it changed was the agonising defeat to
Federer.
Murray’s previous three grand slam final defeats had all
been to inspired players. No shame in that. The defeat to Federer in July was
also to an inspired player, but Murray knew that he could have won despite
Federer’s brilliance on that day. He could do this. He was so close.
He found his Farah Factor: that capacity to work at the peak
of your ability and at the very limits of your body, and then find that extra
gear and pull clear in the final lap.
One of the most telling moments was Djokovic’s
reaction. He was utterly magnanimous and was able to say the opposite of what
many other players have had to say about Murray in the past. This time it was
not “He will surely win a major one day”, but rather “He absolutely deserves it”.
Tennis has a new and deserving champion. The question now is how much more can
the boy from Dunblaine can achieve now that he has reached the promised land.
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