Given that it is the end of the year, and it is the season of self-indulgence, and I like writing lists, I have written a Films of 2015 list.
This is not a list of what I think to be the undisputedly "Best" films of the year (I haven't seen nearly enough films in order to do that). Rather, these are the films I saw this year which I would recommend most.
10. Bridge of Spies – in the hands of any other director and actor, this would have been merely solid. However, this is a really-good thriller with an old-fashioned feel. It doesn't quite reach the heady heights of some of Spielberg's similar works, but Hanks is on top form with a funny and intriguing script. Good turn from Mark Rylance in this tale of the importance of every individual's rights.
9. Steve Jobs – a witty and interesting look at the enigmatic man behind a corporate personality cult. Uneven though it was, it is one of the most intelligent films you’ll ever see and when it hits top gear it is electric.
9. Steve Jobs – a witty and interesting look at the enigmatic man behind a corporate personality cult. Uneven though it was, it is one of the most intelligent films you’ll ever see and when it hits top gear it is electric.
8. Selma – A powerful film on MLK, with a spellbinding performance from David Oyelowo. It tells an important story well without much bombast.
7. Carol – a beautiful and tender portrait of forbidden love that is played so perfectly by Cate Blanchett and Rooney Mara. Todd Haynes gives it a visual flair (all reflections in windows and glances through thick plumes of cigarette smoke) and evokes the 50s period with delicacy.
7. Carol – a beautiful and tender portrait of forbidden love that is played so perfectly by Cate Blanchett and Rooney Mara. Todd Haynes gives it a visual flair (all reflections in windows and glances through thick plumes of cigarette smoke) and evokes the 50s period with delicacy.
6. Star Wars: Episode
VII – The Force Awakens – J.J. Abrams saves the franchise and gives it heart
and soul and a new lease of life. If you’ve been hitherto unconvinced by Star
Wars, then this is the one to transport you to that galaxy far, far away.
5. The Lady in the
Van – brilliant comic filmmaking, driven by Maggie Smith’s knockout performance
and Alex Jennings terrific incarnation as two sides of Alan Bennett. Bennett’s
script is as poignant as it is hilarious.
4. Brooklyn – a lovely,
lovely film about love, family and home. Saoirse Ronan delivers a thoroughly
deft performance in this emotionally honest elegy which beautifully moves from
comedy to tragedy to hide-behind-your-hands emotional drama.
3. Inside Out – the only
imperfection with this film is that it isn’t really for its young audience. I
cried like a child, but no child could understand why. Heart-breaking and wise –
this will nevertheless be vitally important for slightly older children. A work
of heart and genius.
2. The Martian – I
can rarely remember a more joyous experience. I certainly cried once from pure
joy during the "Starman" sequence. A whip-crackingly quick script,
Ridley Scott producing all of his visual flair and Matt Damon being magnificent
as the lead of a great cast. It never dropped its energy or its imagination,
and had me enraptured from start to finish. What more can one reasonably ask of
the cinema?
1. Whiplash – a near-perfect
little film. Pumped with French Connection-esque adrenaline, tension and
magnetism, this has the sheer cinematic energy you’d expect from an action film.
But it’s a film about men sitting in a room playing drums. It’s an extraordinary
achievement that thrills, terrifies and exhilarates from the first percussive
beat to the last. Miles Teller is a revelation, but J.K. Simmons is a master.
(And two to look out
for that haven’t yet come out on general release)
High-Rise – A bizarre
and unsettling film about social collapse, where every inch of every frame
appears to have been meticulously and beautifully designed.
Trumbo – A very
timely film about the screenwriter who was blacklisted during the days of
McCarthyism. It tells the story with oodles of wit and charm, and doesn’t beat
you over the head with its message. Features a terrific big screen turn from
Bryan Cranston.
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